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Empowering Education: How Student-Proposed Courses and Pop Culture Integration are Transforming the Learning Landscape

11/1/2023

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PicturePhoto courtesy of Rowan University
In today's ever-evolving landscape of higher education, institutions are increasingly recognizing the importance of engaging and relevant coursework that not only enriches the minds of their students but also reflects the cultural currents of our time. College students can now discover the harmony between academia and pop culture, where they’re not just consumers but active contributors to the academic discourse.

A new wave of innovation is sweeping across campuses, one that empowers college students to propose and shape courses related to their favorite pop artists. This exciting approach not only fosters a deeper connection between academia and popular culture but also underscores the significance of student agency in curriculum development. In this article, we delve into the transformative power of this educational paradigm shift, exploring how it's inspiring students to explore their passions, encouraging critical thinking, and redefining the boundaries of traditional learning. 

In the midst of the covid-19 pandemic, Rowan University professors Amy Reed and Jason Luther decided to plan a course proposal contest that would allow students to suggest electives they were interested in learning about. Reed shares that, “The course was proposed by Dr. Jason Luther as a way of promoting our programs to students outside of Writing Arts.” Reed, who is an associate professor, teaches in the technical writing concentration and health science communication program. She’s worked at Rowan University for ten years, and was the undergraduate coordinator for the Writing Arts department during the time of the contest. 

Luther stated, “Over 50 students pitched us something using a google form. We also worked hard to get this response, asking instructors to add a module about it in their courses in Canvas and blasting list surveys across campus.” There was one winner of the contest, however, Luthor added, “I know we were going to keep running these contests but the committee that took this on was very busy in 2021-2023.” Reed stated that the winning course was on writing about difference, and was actually separately proposed by two non-writing arts students. 

After the first competition, it was never held again. Reed said, “While I thought the contest was a great idea, it did not work out in practice. We ended up not being able to offer the winning course because when it came time to register, not enough students signed up for it. This was disappointing to us and a major reason why we did not run a course contest a second time.” One might wonder if it’s because student proposed courses wouldn’t align with the curriculum or reputation of the college itself. However, there are many benefits towards allowing students to suggest their own college courses.

Student-proposed courses can significantly enhance a college student's learning experience by providing personalization, relevance, and empowerment in their education. These courses enable students to pursue their specific interests, ensuring the curriculum remains up-to-date with emerging trends and diverse perspectives. They encourage interdisciplinary learning, offer career preparation, foster innovation, and promote active participation, problem-solving, leadership, and communication skills. By involving students in the course proposal process, colleges empower them to take ownership of their education, leading to greater engagement, motivation, and a deeper connection to their academic journey.

Integrating pop culture into education can further enrich a college student's learning experience. By allowing students to explore the intersection of popular culture with academic disciplines, colleges and universities can tap into the power of students' interests and the societal relevance of pop culture. This integration can make the learning process more relatable and engaging, as it connects academic content with the everyday experiences and interests of students. It also promotes critical thinking and analytical skills, encouraging students to evaluate and analyze cultural phenomena, media, and entertainment through an academic lens. Moreover, this approach can spark discussions on social issues, diversity, and representation, as pop culture often reflects and influences these aspects of society. As a result, the integration of pop culture into student-proposed courses not only aligns education with contemporary interests but also enhances critical thinking, creativity, and the application of academic knowledge in the real world.

Reed was initially excited about the competition to help students verbalize their ideas and concepts. Reed stated, “We wanted to involve students in the process of designing curriculum and to learn more about what students were excited to learn about.” Rowan does offer a class titled ‘Writing About Popular Culture’ that is taught by professor Luther.

Despite the challenges encountered in the initial attempt at hosting a course proposal contest at Rowan University, there are compelling reasons for the institution to consider conducting another contest. The experience of the first contest provided valuable insights into the dynamics of student involvement in curriculum development, and it demonstrated the eagerness of students to contribute to the academic discourse. Hosting another contest could allow Rowan to build upon the lessons learned, refine the contest structure, and address previous obstacles. 

It offers an opportunity to further engage students in the process of shaping their education, providing them with a sense of ownership and empowering them to express their ideas and concepts. By persisting in this endeavor, Rowan can foster a culture of innovation and collaboration between students and faculty, ultimately enhancing the educational experience and ensuring that the curriculum remains relevant and responsive to the ever-evolving needs and interests of its diverse student body.

It’s unclear what the next steps to establishing a new course contest are, but many students are eager to suggest topics of interest. Senior communications major, Serena Klun, says, “I think that student suggested courses could be a great way to encourage student engagement.” When asked if she had any ideas for a new course, she said, “I would suggest a course focused on propaganda and its impact on crisis communication.” Klun is passionate about her major, but she feels as if she’s missing out on academic flexibility because of required courses. If there were several major courses deviating from the harrowing required major classes, Klun believes there would be more student engagement and discussion.

Alexa Diamant

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  • Home
  • Programs
    • Creative Writing Minor
    • WA Major
    • Minors >
      • Publishing and Writing for the Public
      • New Media Minor
      • Technical & Professional Writing Minor
      • Writing Arts Minor
    • Certificates of Undergraduate Study >
      • CUGS in Creative Writing
      • CUGS in Publishing and Writing for the Public
      • CUGS in Technical and Professional Writing
      • CUGS in Writing Studies for Educators
      • CUGS in Professional Communication
      • CUGS in Writing for the Environment
    • 4+1 (B.A.+M.A.) Program
    • Degree in 3
    • Graduate Programs
  • Advising
  • WA Major
    • Writing Arts Journey
    • Required Courses >
      • General Education >
        • Science and Mathematics
        • Social and Behavioral Sciences
        • Literature, History, Humanities, and Language
      • Introduction to Writing Arts >
        • History & Materiality of Writing
        • Issues in Writing
        • Technologies & the Future of Writing
      • Methods Choice >
        • Communication Theory
        • How Writers Read
        • Tutoring Writing
      • Creative Choice >
        • Creative Writing I
        • Writing Children's Stories
      • The Writer's Mind
      • Writing, Research & Technology
      • Literacy Studies >
        • Situating Writing
        • Writing With Technologies
      • Senior Seminar: Methods of Analysis and Evaluation of Writing
      • Portfolio Seminar
      • Free Electives
    • Elements of Language >
      • American English Grammar
      • Editing for Publication
      • Introduction to Anthropological Linguistics
      • Linguistics
      • Rhetorics of Style
      • Semantics
    • Concentrations >
      • Creative Writing >
        • Creative Writing I
        • Creative Writing II
        • Film Scenario Writing
        • Fundamentals of Playwriting
        • Magazine Article Writing
        • Professions in Writing Arts
        • The Publishing Industry
        • Screenwriting I: Writing the Short
        • Screenwriting II: Writing the Feature
        • Tutoring Writing
        • Teaching the Writer's Workshop >
          • Publishing & Writing for the Public >
            • Applied Media Aesthetics: Sight, Sound and Story
            • Editing the Literary Journal
            • Environmental Writing & Rhetoric
            • Fiction to Film
            • Introduction to New Media
            • Media Law
            • Online Journalism I
            • Participatory Media
            • The Publishing Industry
            • Publication Layout & Design
            • Photojournalism
            • Professions in Writing Arts
            • Rhetorical Theory
            • Self Publishing
            • Writing for Popular Culture
            • Writing for the Workplace
            • Internship
            • Research Practicum
        • Writing Children's Stories
        • Writing Comedy
        • Writing Creative Nonfiction
        • Writing Fiction
        • Writing Genre Fiction
        • Writing Poetry
        • Writing the Young Adult Novel
        • Internship
        • Research Practicum
      • Technical & Professional Writing >
        • Developing Health and Scientific Literacy
        • Introduction to Technical Writing
        • Medical Writing and Rhetoric
        • Professions in Writing Arts
        • The Publishing Industry
        • Scientific Writing and Rhetoric
        • Tutoring Writing
        • Writing to Bear Witness
        • Writing for Nonprofits
        • Writing for the Workplace
        • Internship
        • Research Practicum
    • WA Learning Community >
      • Publishers
  • Internships
    • Internal Internships
    • External Internships
  • Careers
  • Faculty
    • Faculty Resources >
      • Best Practices in Online Learning
      • Syllabus Requirements
      • HyFlex/Remote Learning
      • Canvas Support >
        • Writing Comedy
      • Accessibility in Online Courses
      • Racial Equity Online
      • Supporting Developmental Writers Remotely
      • Building an Online Classroom Community
    • Acknowledgements
  • Blogs
    • Writer's Insider Blog >
      • Spring 2022 >
        • Writing Diverse Characters
      • Fall 2021
      • Spring 2021
      • Fall 2020
      • Spring 2020
      • Fall 2019
      • Spring 2019 >
        • An Interview with Devon James & Rachel Barton
        • Confession Travel Writer
        • Self-Publishing: A Change in Perspective
        • CCCA Career Fair: Having Your Future in Mind
        • Alumni Success: Entering the Working World
        • Behind the Scenes of Rowan's Hiring Process
        • Writing Comedy
      • Fall 2018 >
        • Singularity Press: Rowan's New Start Up
        • Writing Arts Club
        • How Can We Evaluate Creative Writing?
        • More Inclusive Events for Technical Writers
        • Guest Speaker Manuela Soares
        • Glassworks Reading
        • Spotlight: Taylor Henry, Recently Published Rowan Alum
      • Spring 2018 >
        • Publishing and Writing for the Public: A Reconstructed Concentration
        • What You Think You Know About Technical and Professional Writing is Wrong
        • The Toni Libro Medallion Award Winner: Myriah Stubee
        • An Interview with a Publisher
        • Excellence in Writing Arts Medallion Winner: Sara Skipp
        • The College of Communcation and Creative Arts 6th Annual Student Awards and Showcase Ceremony
        • Rowan Alum, Marissa Cohen, On Self Publishing and Advocacy
      • Fall 2017 >
        • Upcoming Classes in the Writing Arts Department
        • The Writer's Journey Blog by Earl Garcia
        • Rewriting The Department's Social Media Platforms
        • Rowan University Writing Arts Club Reinvents Mission
        • Glassworks Launches Issue Fifteen
        • For Futuristic Consideration: An Exploration of Careers in Writing
      • Spring 2017 >
        • Technical Communication: An Overview
        • A More Inclusive Future for Technical Writers
        • Easing the Tension: Breaking Down Technical and Professional Writing
        • Growing the Technical and Professional Writing Concentration
      • Fall 2016
      • Spring 2016
      • Winter 2015
      • Fall 2015 >
        • 2014 and Prior >
          • Archive
    • The Bulletin Board
    • RU Writing? Podcast
  • Creative Writing
    • CW Faculty Publications
    • CW Course Offerings
  • Writing Center
  • Alumni
    • Undergraduate
    • Graduate
  • Awards
    • 2022 Emerging Writers Scholarship
    • Denise Gess Literary Awards
    • Excellence in Writing Arts Medallion Award
    • AnToinette Libro Graduate Medallion Award
    • Past Awards >
      • 2008 Hollybush Writing Competition
      • Write Rowan, Right Now! Contest
  • Student Groups
    • Writing Arts Club
    • Avant Literary Magazine
    • The Whit Newspaper
    • Her Campus Rowan
    • Odyssey at Rowan
    • Singularity Press
  • Events
  • ECCCA
    • RU Deptartment of Writing Arts - Home
    • News & Announcements
    • Rowan University - Home
    • Ric Edelman College of Communication & Creative Arts at Rowan University - Home
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